A black line, a network of hidden connections, links all the sacred places on earth. If that line should be broken, calamities will ensue, and this beautiful world shall perish. Destroying a forest here, draining a swamp there might have dire consequences across the globe. The Kogi shamans cannot perform their work of maintaining the balance of nature much longer in the face of our depredations.
How are we to interpret this warning coming from the Kogi people of the Sierra Madre in Colombia, delivered through their latest film, Aluna?
Contemporary Western viewers may respond to the film with resistance and skepticism. The old guard will undoubtedly reproduce the violence of well-worn colonial discourses, dismissing the Kogi’s message as primitive magico-religious thinking. For the ethnically sensitive, such a crude dismissal is passé. Today we have more sophisticated ways to deafen ourselves to what the Kogi are telling us.
The first we might call “ontological imperialism.” It would be to say, “Yes, the Kogi are onto something after all. The black line is a metaphor for ecological interconnectedness. Their talk of the voice of water is code for the hydrological cycle. They are keen observers of nature and have articulated scientific truths in their own cultural language.” That sounds fair enough, doesn’t it? It gives them credit for being astute observers of nature. However, this view takes for granted that basal reality is that of scientific materialism, thereby disallowing the conceptual categories and causal understandings of the Kogi. It says that fundamentally, we understand the nature of reality better than they do.
If their message were merely, “We must take better care of nature,” then the above understanding would be sufficient. But the Kogi are inviting us into a much deeper change than that. Do we understand the nature of reality better than they do? It once seemed so, but today the fruits of our supposed understanding—social and ecological crisis—gnaw at our surety.
Read the rest of the article in Tikkun Magazine